Fastest T-Shirt Printer on the Market. Direct To Garment.

This video shows the AnaJet SPRINT printing a black shirt in under 2 minutes. It is truly the fastest digital garment printer on the market.

4 color 4 station screen printing t-shirt printing machine working video 006026

The 4-4 Screen Press can realize four precise colors in four stations after installation and debugging. In other words, it can be applied into multi-color printing by.

Heat Press Machine vs Screen Printing T-shirts

tshirtbusinesstutor. com Why use a heat press machine to make your t-shirt designs vs using screen printing to make your designs.


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Latest News

  • T Shirt Printing Machine Makes Customizing Printing Easy

    05/21/16 ,via

    T shirt printing machine for printing t shirt process is very useful. T shirt printing is a best business and this is more and more popular business these days. T shirt printer machine prints t shirts for corporate promotions, clubs and for teams

  • Softball Standings

    05/25/16 ,via Bismarck Tribune

    Wednesday League: Boyko Inc.-Center Machine 6-0, Ahern Rentals 5-1, Broken Oar 5-1, Inge's Pub 5-1, Little Caesar's-Rusty's Saloon-Direct Ag 5-1, New Vision Security 5-1, Anderson Custom Cabinets 3-3, BNC National Bank 2-4, Eide Ford 0-6, O'Brians 0-6

  • St. Lawrence-based Weikel Sportswear gets colorful recognition

    05/25/16 ,via Reading Eagle

    printed on a blue fabric. It was produced on a machine that can print up to 18 colors. The process is a spot method, as opposed to the dot process used in four-color screen printing on paper, or what is used by some mail order and Internet T-shirt

  • The winning combination for successful design, programming and manufacturing

    05/19/16 ,via Control Design

    If you are working in the messy office or wearing inappropriate business clothes, you probably are thinking, “You sound like my mom.” Take a look at the leading machine builders and integrators. At the sales process, marketing, design, programming, 

  • Life's a stitch: Embroidery shop sewing up business

    Parsons offers embroidery on boots, hats, bags, shirts, hair bows and pretty much anything that can fit into her commercial embroidery machine. Travel ball team hats seem to be the biggest seller, however Parsons was amazed to find out how many people 

'#techstyle' Review: In Boston, the Time to come of Fashion - Wall Street Journal

While a ongoing exhibition at the Met Fifth Avenue in New York, “Manus x Machina: Fashion in an Age of Technology,” explores a century of couture-level complicity between the disseminate and the machine, this one focuses on fashion’s most recent and... A solar dress that can recharge a cellphone. A leather jacket, coated in reactive inks, that changes color in retort to heat and light. A metal and black-lacquer spike that’s a millennial feminist’s answer to Ahab’s peg leg of white whalebone. Chalayan’s 2005 “Slight Control Dress” is emblematic of the show’s searching sensibility. Made of white fiberglass and robotics, this A-line space capsule has flaps that can be opened and closed from afar, changing its fashion. It’s one of Mr. Chalayan’s “Monumental Dresses,” so called, we are told, because these pieces “exist as monuments to an idea. ” The exhibition opens into two galleries on facing sides of the entrance area, respectively titled Performance and Production. Garments in the Performance gallery are each, in their own way, a form of performance art. ’s “Incertitudes” shirt (2013) is unmitigatedly sentient. Made of PVDF plain weave and electronic sensors, its surface is covered with upright dressmaker pins, a bristly fur that moves in waves in response to voices. The “CuteCircuit MFA Dress,” a black silk gown embedded with thousands of MicroLEDs, was created for the show by artificer “if we will keep on wearing fabrics in the future, or if dressing will become something non-material, something that is... ” This question provides a good segue into the gallery on Production, where we see designers using technology to rethink the materials and processes used to produce clothing. Looming massive on the horizon is 3-D printing. ’s “Molecule” shoes (2015), platform sandals that look like blue-green sand castles, are the consequence of a computer algorithm that emulates cellular growth. And the “Kinematics 8” dress (2016), created by the Somerville, Mass. In the interim, following in the footsteps of Mr. Miyake and Ms. Kawakubo, many young designers are now playing with polyester, once the dirty word of high the craze but increasingly its fair-haired fiber, recyclable and therefore sustainable, amenable... The theme of water tugs at the show like an undertow and with virtuous reason. The textile industry—its dyeing and finishing practices—is responsible for almost 20% of the world’s water pollution. Van Herpen’s “Douse Splash Dress” (2013), a stop-action splash sculpted from sheets of heated plastic, seems to crystallize this really: We are, essentially, clothed in water. And a panniered minidress by Alexander McQueen, pulled from his dystopian “Plato’s Atlantis” collection of 2010/11 and printed with computer-engineered biomorphic mutations, portends a ruined globe of rising seas. More hopeful is the 2015 ensemble made possible by a collaboration between the Dutch clothing brand G-Star Raw and the partnership Bionic Yarn. Strips of blue denim mantle a black jacket, cascading to the floor in thick spirals. This denim was woven with yarns made from meretricious bottles culled from the ocean and recycled. One can’t help seeing bearded Neptune emerging from the deep, robed in rivulets and taxing respect for his—and our—primeval realm. Jacobs writes about culture and fashion for Vanity Fair. Source:

Taste that's electrifying - The Hindu

Or for that matter, what if your medicate could be used as a camera and your sports shoes to charge your smartphone. But it is exactly where technology is headed — towards a future where one can remain hands-loose and instead wear their gadgets. albeit in a fashionable manner. One of the latest concepts to stir things up in the fashion world is hilarious-tech design. The perfect fusion of fashion and utility, it’s a trend that is catching on with the upwardly mobile, fashion-conscious youngsters. New-age alteration dwells on fashion with a mechanised makeover. Take for instance, the Apple watch, Google Glass and Fitbit. “See, we have already suit a big market for all kinds of devices, instruments and accessories. So, why can’t this futuristic concept be used in clothing as well. ” asks intriguer Naushad Ali. Fast forward to 2013, and we had Priyanka Chopra paying Big B a tribute in a similarly lit-up outfit in ‘Babli Badmaash Hai’ in Shootout at Wadala. In the global fashion circuit, there’s Hussein Chalayan, whose name has been synonymous with innovation — namely, the morphing dresses, where microchips and animatronics seamlessly morphed a Victorian upbraid into a flapper one. At the recent Lakme Fashion Week, models walked the ramp in light-emitting jackets, colour-changing clothes and burning accessories, courtesy the Berlin-based ElektroCouture and Friends. All this clearly points to a future where new-age fashion will be technology driven. Manufacture is rapidly moving from far-fetched concepts to commercially viable style statements. Fitted with 3D motion sensors, lights, microchips, casts or harnesses, the heart is on creating style that is glamorous and aesthetically pleasing. one has to keep pushing the envelope. I find Hussein Chalayan’s designs always so far-sighted. A lot of Japanese designers, too, have toyed with this ultramodern, avant-garde mania,” says Ali. Hence, it’s not at all fair to confine the arc of target-buyers of tech-textiles to fitness freaks, gadget geeks and people with goodness-nerve ailments alone. The avidly fashion-conscious can also opt for these digital outfits. “For instance, the new 3D printing technology has opened up instant, facile avenues in wearable technology. You just necessary to download a designed theme or motif on your machine and get your costume printed at home. However, designer Rinku Sobti begs to differ when it comes to the Indian designscape. “Leaving out a few export houses in the country, there are hardly any designers doing hi-tech stuff. The idea is still not commercially viable and one needs considerable financial endorsement to float such forward-looking creations in the fashion market,” she argues. The argument here, is that when technology enthusiasts are willing to spend big bucks on gadgets, then won’t they be lured into buying and wearing in fashion technology from the luxury segment. Product manufacturers and the corporate sector are eyeing this probable market, yet to be fully tapped, in in disorder b unseemly to rake in the moolah. “Money will invariably flow in if a strong, aggressive campaign is done to woo purchasers,” suggests designer Amy Billimoria. “Musicians, singers and youngsters will be eager to take risks, since they want to experiment with. Source:

The Man with his Faculty in the Clouds -

aybe because my originator was an architect, I sweated the whole World’s Tallest Building thing pretty hard when I was a kid. It mattered to me. That was the ’70s, and it seemed to topic to everyone. I remember standing with my pops in the World Trade Center observatory, whining that we weren’t in Chicago at the Sears Castle, which had just become the new world’s tallest. I wanted to be at the very top. “That’s not going anywhere,” my dad told me. “Besides, they can always go higher. ” Back then, I could tell you the top 10 skyscrapers in the planet. I drew them once, to my own vague scale, standing side by side. Tallest to shortest, left to right. Next to those, I drew the 17-romance Midtown Tower, which my dad helped design, in my hometown of Rochester, New York. Next to that, I drew our house. So the Sears Tower was the alpha. And my abode on Vick Park B—pretty tall, as houses go—my very own omega. Now, after two decades of ambitious building in the Middle East and Asia, the preceding Sears Tower is 14th on the list. The new tallest building in the world, the Burj Khalifa, sits on the other side of the planet, in Dubai. At 2,717 feet, it’s more than 1,200 feet higher than Chicago’s one-metre titleholder. The towers I loved as a kid have been dwarfed. People build. It seems certain the list will never be fixed or finished. Some ask: How important should we build. How high is too high. But these towers, and their persistent climb, stand on a distant edge of architecture’s horizon, buildings that ask and answer a sick, beautifully human question: What’s possible. The man leading the upward push is Adrian Smith, the legendary Chicago architect who designed the Burj Khalifa, completed in 2010. Now he has designed the next the public’s tallest, the Jeddah Tower in Saudi Arabia. When the exterior is completed in 2018, it will top out at more than a full kilometer (or 3,281 feet, for those who real in a country that thinks it’s too smart for the metric system). That’s an entirely different scale of endeavor, its height pushing just slightly abrupt of three John Hancock Centers (if you lose the antennas) stacked one on top of the other. Smith is also working on another massive creation, the 2,087-foot Wuhan Greenland Center in China, which will class fourth. That’s right, Adrian Smith will soon have to his name three of the four tallest occupiable buildings in the world. Here in Chicago, Smith, who dead beat almost three decades at the iconic firm Skidmore, Owings & Merrill before striking out on his own with SOM colleague Gordon Gill in 2006, is superior known for signature pieces like the AT&T Corporate Center (now... Still, when we meet at his firm’s offices in the BMO Harris Bank complex, we are a basic 23 floors above the streets of Chicago, far below the surrounding rooftops. Talking to architects can be a tangle. Conversations littered with words like “parametric” and “curvilinear. So it’s shocking when Smith drops the uncomplicated “supertall” to signify the 92-floor, 1,389-foot Trump Tower. He uses the brief conversation like a noun. “Trump is a supertall,” he says, as if describing a well-stacked pastrami sandwich. Surely there’s some multisyllabic Latinate denominate for a structure that thrusts more than a thousand feet into the air, straight to the heavens. Even “skyscraper” is better. Smith stares back at me blankly. I mean, do you like that consultation. Source:

Bing news feed

  • New, screen-printed, flexible MRI coils could lead to shorter scan time periods

    05/26/16 ,via News-Medical

    In addition, the machine makes loud noises for long periods of time ... Screen-printing is the technology used for printing designs on T-shirts. Because these coils are light and flexible, they can be wrapped snugly around the patient's body that increases ...

  • 6 common mistakes made when washing clothes

    That means most of us need to upgrade our laundry smarts to keep our black T-shirts from fading and our soccer uniforms free of grass stains. We have to read the fine print of our washing machine manuals and finally learn how to sort. There is constant ...

  • FD Printing uses proven branding strategies

    05/21/16 ,via InsideHalton

    Their custom-order products are made with the best quality materials possible, using state-of-the-art digital equipment ... so you can order a one-of-a-kind shirt with the specialized direct-to-garment printing process that can create 16 million colours.

... Sublimation Heat Press Machine Transfer Clamshell T Shirt | eBay
... Sublimation Heat Press Machine Transfer Clamshell T Shirt | eBay
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NEW 16 x 20 T shirt Heat Press Screen Printing Machine Digital ...
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